But that’s because you’ve asked the wrong question. Ask ten DPs about their preferred flavor of Log, and you’ll get ten different answers. Log is a favorite topic among DPs, for sure. There’s no single processing recipe to rule them all, and the same goes for the final step in the process: the Log profile. How to do so exactly, depends on how the camera manufacturers have designed their RAW formats. To make sense of a RAW image, first, it needs debayering, decoding, and probably de-everything else-ing. That’s why we decided it was time for EditReady to enter new territory, with wide support for RAW camera footage. With solid-state drive technology giving a massive speed boost, writing uncompressed in-camera RAW has become feasible for many more vendors than just the upper echelon. EditReady makes this unruly bunch of files play together nicely. But we also end up with a bag of mixed formats that NLEs are not quick to pick up on, or for strategic reasons might even never support.Īs a filmmaker, you’ll quickly find yourself caught between a rock and a hard place - between a camera and an NLE. Of course, it’s a good thing that in today’s world we have way more opportunities to make creative choices. There’s a catch though: it’s also more stuff that's likely to be incompatible with other stuff - like your NLE. More resolutions, more codecs, more bit-depths, more sub-sampling, more frame rates. The same goes for the painter’s brushes: today, there are more video formats than ever. Digital cinema cameras, documentary, action sports shooters, and DSLRs could hardly be less alike. They differ for the same reason that a painter needs multiple paintbrushes: no single tool is perfect for everything. Full details can be found on the blog, HERE.For 14 years, EditReady has had your back when your NLE didn’t support your camera’s codec or container - transcoding your footage to an editable format, fast. This combination raises the bar for filmmakers and photographers shooting video everywhere. The new Nikon Z 6 and Z 7 mirrorless cameras output a fullframe 10-bit 4K N-Log signal which the new Atomos Ninja V 4K HDR monitor/recorder can record and display in HDR. Video and gaming workflows are supported for the fastest path to your audience.Ĭompatible with Nikon's new Z 6 and Z 7's fullframe 10-bit 4K N-Log signal Tag while recording on the fly for direct-to-edit look-up with up to six streams, edited directly from the SSD in Final Cut Pro X, Adobe Premiere or Avid Media Composer. The recorded Ninja files are available immediately on your Mac or PC for editing. Audio can be input directly from the camera digitally via HDMI, or fed in analogue via a stereo 3.5mm line/mic socket – especially useful for cameras that do not have a mic input. Of course, a recording isn't 100% complete until checked AtomOS gives speedy playback, slow motion and frame-by-frame analysis for instant review.Īny production large or small needs high quality viewing. Auto HDR flags mean perfect TV set up every time! Show off your skills or check your game development on the most stunning video recorder ever built!ĪtomOS gives simple tools for accurate set up and one-touch operation, ensuring a great recording every time. Place the Ninja V in-between your unit and the TV, and record for hours to off-the-shelf SSD drives. The display can be calibrated for perfect color accuracy every time, with playout to HDR or SDR TV sets.Ĥkp60 or HDp240 Game Recording just became fun and simple from any HDMI gaming unit. Clearly see your images in daylight on the near edge-to-edge anti-reflection screen. The Ninja screen displays a stunning 10+ stops of dynamic range in realtime from Log/ PQ/HLG signals. It’s a sleek 1” (2.5cm) aluminium body, is crafted for maximum durability, weighs in at just 11oz (320g), and attaches to any camera rig easily. The stunningly bright 5.2-inch 10-bit HDR monitor has an astounding 1,000 nits of output. Sony a7R V RAW Support – ProRes RAW recording specification via HDMIģ.8K (3848 x 2168) – displayed as UHD on-device at 23.98p, 25p, 29.97p, 50p, 59.94p A tiny 1TB AtomX SSDmini will give you 2.5 hrs of 4K recording. Store edit-ready ProRes or DNxHR on affordable SSD drives and bypass your cameras internal compression and record time limits. Record up to 4Kp60 10-bit HDR video direct from your camera's sensor, over HDMI 2.0.
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